19th Century Oil Painting of
New Paltz Patentee Descendant Deborah Bloomer DuBois
Restored and On View at Historic Huguenot Street
Historic Huguenot Street is pleased to announce the restoration of a 19th-century oil on canvas portrait of Deborah Bloomer DuBois, made possible with funds from the New York State Council on the Arts and Greater Hudson Heritage Network Conservation Treatment Program. The restored painting may be viewed at the DuBois Fort Visitor Center during regular weekend hours now through December 18.
“Yet to be attributed to a specific artist, this portrait is a charming representation of demure femininity and ably replicates the clothing, hairstyles, hand-made lace, and jewelry common in the 1830s in the Hudson Valley,” said Josephine Bloodgood, HHS Director of Curatorial and Preservation Affairs.
According to Bloodgood, the painting was donated to the HHS Permanent Collection in 2015 by Nathanial DuBois Clark. When the painting was first received, the name of the sitter was unknown; however, based on the paintings provenance and through genealogical research in the HHS Archives, the subject was identified as Deborah Bloomer DuBois (1800-1861), wife of Nathanial DuBois, a third great grandson of Louis DuBois (1626-1696), one of New Paltz’s original patentees. Nathanial was also the grandson of Revolutionary War Major Lewis DuBois who, around 1760, established a farm in Marlboro, New York in the southeast corner of Ulster County. While specific details about Deborah Bloomer DuBois herself are yet to be discovered, the portrait helps tell the story of how descendants of Huguenot Street migrated beyond the original New Paltz patent in search of new opportunities and eventually established homes throughout the Hudson Valley.
Since its acquisition by HHS, the painting was cleaned, relined, and stabilized by Yost Conservation, LLC. Yost Conservation specializes in fine oil paintings from the 18th through 20th centuries, having provided services for the Thomas Cole National Historic Site, as well as the New Britain Museum of American Art and the Florence Griswold Museum. Over the years, Thomas Yost and his team have conserved over 20,000 paintings from across the United States that represent all major schools of American Art.
The Conservation Treatment Program is a partnership of the New York State Council on the Arts and the Greater Hudson Heritage Network that provides support for treatment procedures by professional conservators to aid in stabilizing and preserving objects in collections of museums, historical and cultural organizations in New York State.